WELCOME TO WESTWORLD

By Elizabeth Latenser

This is part of an ongoing series featuring iconic projects filmed in Utah.  Projects and artists mentioned in the series filmed here for inspiration, a strong sense of place or to recreate otherworldly experiences.

According to HBO, Westworld isn’t your typical amusement park. Intended for rich vacationers, the futuristic park — which is looked after by robotic “hosts” — allows its visitors to live out their fantasies through artificial consciousness. No matter how illicit the fantasy may be, there are no consequences for the park’s guests, allowing for any wish to be indulged. “Westworld” — which is based on the 1973 Michael Crichton movie of the same name — features an all-star cast that includes Oscar winner Anthony Hopkins, Jeffrey Wright, Ed Harris, Evan Rachel Wood, James Marsden, Thandie Newton and more.

The show tackles some classic sci-fi themes like consciousness, artificial intelligence, the danger of technology and the nature of free will.  Those deep topics, coupled with rave reviews from critics and immense passion from fans, have led to a spring of podcasts, fansites, an outpouring of fan art and numerous award nominations for the show.  It is being hailed as HBO’s new Game of Thrones though fans will say it now sets its own benchmark for storytelling.  The intriguing opening sequence alone captures audiences by bringing together the contrast of traditional western terrain with the creation of futuristic robotic hosts in the park.

UTAH SETS THE SCENE:

The stellar casts draws in fans but according Craig Fehrman, of Outside Magazine, “What holds Westworld together, though, is something more surprising: its landscape. In fact, many of the show’s stunning exterior shots were filmed near Moab, Utah—which means the terrain you may love from your own adventures stands as the unsung hero of this show.”

When writer and director Jonathan Nolan was considering his filming options southern Utah was top of his list.  He traveled frequently in his younger years and told Scott Pierce of the Salt Lake Tribune: “the place that I always was drawn back to was southern Utah. It has these landscapes that don’t look like anywhere else on the face of the planet. That geography is exquisitely, exclusively American.”  By filming in the region he felt he was hearkening back to the famous days of John Ford in Monument Valley though much of Westworld was filmed in Castle Valley, Moab.

Actors take a break while on set of “Westworld” in Southern Utah. Photo courtesy of Westworld Daily.

Virginia Pearce, Utah Film Commissioner worked with the Westworld team before they began shooting.  She believed Utah was the perfect place to film this unique story that brings together historic wild west themes that collide with futuristic concepts.  She said, “Utah has a long history of being the backdrop of the ‘iconic west,’ and there is a reason it still calls to tourists and filmmakers alike. Those sweeping landscapes give a look and feel you can’t get anywhere else.”

The sense of place not only transports viewers to a rugged and wild place, it also gives the actors a chance to ditch the green screen and truly live the experience. Actor James Marsden who stars in Westworld told the Salt Lake Tribune, “Shooting there, it honestly felt a little bit like I was actually getting to be a guest at Westworld. I got to full-on don the suit and the hat and practice with the gun and ride the horses, and it was all very real.”

HELICOPTERS AND HIKES:

Anyone who has visited southern Utah knows, in between the brilliant vistas and breathtaking buttes there are lonely expanses of desert that extend past the horizon.  So as you can imagine the crew had to use just about every tool in their arsenal to truly capture the majestic scenery.  Helicopters were used to engross the viewer in expansive valley shots.  And for closer details, cameramen floated the Colorado River and hiked through many of the more desolate or delicate red rock formations.

Paul Cameron, the director of photography said the remote nature of many of their shoots proved to be challenging. “Practically every area was a walk-in area,” Cameron told Outside Magazine.  So the crew did plenty of hiking. With ALL of their gear.

Cameron let fans in on some scoop about the scene where James Marsden is riding in on a train looking out at his dusty kingdom.  The train car was reconstructed and built to sit on a semi flatbed.  Then the crew drove State Route 128 in southern Utah to see the scenery cross his field of vision. So the red rock dust, Russian thistle and rugged terrain in that sequence are real.

DISCOVER WESTWORLD:

Condé Nast Traveler packaged a few beautiful shots of remote but iconic Westworld locations for those travelers looking to visit the enchanting places in person. Bring a camera because the route is one of the most beautiful drives in the world.  Stops include State Route 128 outside Arches National Park in Utah to Castle Valley, Utah which has served as backdrop to many great films like Indiana Jones and the Last Crusade and Stagecoach.

For those who are fine to stay at home and wait patiently for a second season (in 2018!) you can always visit the interactive Discover Westworld site.  Visitors will appreciate chatting with travel agents who can prepare you for your stay at the park.  I was both welcomed and warned about the park by a travel agent named AEDEN:

The train will deposit you in the bustling town of Sweetwater upon arrival. Here, you will meet people from all walks of life, engaged in all matters of trade. But keep your eyes peeled…

…this vibrant center has been known to attract the attention of the occasional bandit or ne’er-do-well.

Contributing writer Elizabeth Latenser is a film fan, mountain momma, dog lover and tree hugger.

 

Utah: A State Full of Film Scouts

By Elizabeth Latenser

Find Inspiration All Around You With #UtahIsRad

2017 has been a skier’s dream! It has been snowing on and off for the better part of the New Year in Utah which is amazing for tourism and recreation but for the seasonally affected, you may be looking for reminders of blue skies and warm temps.  

Look no further than Instagram and type in #UtahIsRad.  Here you will find all the ways real locals celebrate the breathtaking beauty of Utah and all the things that make this state so special.  The hashtag gives you an idea of just how vast and diverse the landscape and entertainment is here.  Plus, you can revisit some of the most gorgeous summer weather scenes to warm your soul.

When scrolling through those photos I can’t help but marvel at the talent Utah residents have for capturing and sharing Utah’s beauty.  At the risk of sounding really old, I can’t believe most of these photos are taken with a cell phone!

So film scouts, take a look! Utah has just about every scene you can imagine and the locals have done the legwork to get you tons of beautiful shots.  Oh and if by chance an actual film scout is reading here is a Film Directory of Utah locations. 

Thank you to all the instagrammers for letting us repost your images:

Spots to relax? Of course!

Contributing writer Elizabeth Latenser is a film fan, mountain momma, dog lover and tree hugger.

 

Celebrating Film & Digital Entertainment in Utah

By Elizabeth Latenser

On February 1st  we gathered with film and digital industry members for Film Day on the Hill in Salt Lake City to showcase the incredibly diverse entertainment industry brewing locally. The industry is comprised of 450 companies that employs at least 4,300 workers and pays more than $100 million in wages and salaries. Not to mention, it keeps the world endlessly entertained! From traditional production companies to game designers and virtual reality creators, Utah truly is a hotbed for creativity across many sectors.

Utah Governor Gary R. Herbert & Lt. Governor Spencer J. Cox at Film Day on the Hill.

Check out this video featuring Utah Film Commissioner Virginia Pearce from Film Day on the Hill. I would encourage you to watch it twice. First, listen to what she is sharing about the industry in Utah which is uniquely positioned to compete with other states for film production due to our iconic landscapes, experienced crew and established infrastructure.
Then take a look at all the activity in the background, including intricate set designs, groundbreaking technology, fantastic costumes and innovative companies. This is just the tip of the iceberg in terms of what these groups can do!

 

I learned a few things from Film Day on the Hill:

The Utah Film Commission’s Motion Picture Incentive program has been making an incredible economic impact on the state and employs a variety of recruitment strategies to bring projects here. Those efforts have resulted in 146 films in the state, 13,830 jobs created and $239 million in direct Utah spending since 2005.
The future is bright! In 2016, more than 3,000 students were enrolled in a film or digital media program at 13 of Utah’s higher education institutions. I can’t wait to see what these students cook up.
The industry is going digital. More than 80% of film production is done digitally so it’s crucial for artists to stay on top of new technologies.
Legislators are proud of the strong film and digital entertainment industry we have in Utah and see it as an incredible asset to our cultural landscape and bustling economy.

Thank you to all the creative companies who joined us and to those who couldn’t come but continue to pour their heart into creating the best work possible in Utah. Here is a list of a few who made it. Make sure to check out what they are up to:

Contributing writer Elizabeth Latenser is a film fan, mountain momma, dog lover and tree hugger.

Talking About a Little Place Called Utah

By Elizabeth Latenser

This is part of an ongoing series featuring iconic projects filmed in Utah.  Projects and artists mentioned in the series filmed here for inspiration, a strong sense of place or to recreate otherworldly experiences.

If they each had half a brain, together they would still only have half a brain.

Dumb and Dumber is just as quotable today as it was when it was filmed in Utah 22 years ago. The film follows Lloyd Christmas (Jim Carrey) and Harry Dunne (Jeff Daniels) as they set out to return a briefcase full of money to its rightful owner.  Along the way these two friends find themselves in some hilarious and precarious situations.

From the movie, we will forever have gems like “so you’re telling me there’s a chance” and “welp, big gulps huh.”  While the film did give us serious #squadgoals we are still a little hazy on some life rules.  Can we triple stamp a double stamp? When is it OK to quitsie a startsy? We may never know.

Much of the film was shot in Salt Lake City, Sandy, Heber and Park City, Utah but disguised as other places in the United States.  According to City Weekly, when Director Bobby Farrelly was asked about his time in Utah he said:

“We had written the story where the two guys go from Providence to Aspen, and being in Los Angeles when we wrote it, we were trying to think where could we go to shoot this that’s not Aspen. We didn’t think they would let us into Aspen. And so, one of our producers said, ‘You know, a great place to shoot this would be Utah because it has so much to offer. It has flatlands. It has mountains. It has snow.’ We went and took a look and, low and behold, he was right, so we shot it all there and we had a fantastic time. I dunno, I always had a soft spot in my heart for Salt Lake City after that.”

Aww, well the feeling is mutual! Utah residents certainly love spotting their local hangouts in Dumb and Dumber.

Utah residents, hop on your vespa and follow along as we revisit some of the most memorable Utah landmarks (disguised as other places) seen in Dumb and Dumber:

Salt Lake City International Airport as the Providence Airport:
Your first stop on the tour is the notorious spot that puts Lloyd in the whole briefcase mess.  The Salt City International Airport is the right where Lloyd drops Mary Swanson off and she apparently steals a piece of his heart.  “Goodbye my loooooove…”

Harry and Lloyd’s apartment on the East Coast but really in downtown Salt Lake City:
Harry and Lloyd share an apartment that has carpet stains and wall art you may commonly find in a young bachelor’s place.  Their quaint homestead apartment is located in the heart of downtown Salt Lake City. Farrelly told City Weekly, “Believe it or not, we had to re-create that [For Dumb & Dumber To] because the guys haven’t grown up at all, and they’re still living in the same place, and so we actually had to rebuild it in Atlanta. It might have made more sense for us to just fly out and do it there.

Mary Swanson’s East Coast Mansion is really in Sandy, Utah:
Mary Swanson’s East Coast Mansion is actually a cleverly decorated restaurant building called La Caille in Sandy near Little Cottonwood Canyon. Another La Caille building was used as Mary’s parents house in a fantasy cooked up by Lloyd.  

Aspen Snow Owl Benefit exit via the Devereaux Mansion:
The horse drawn carriage Harry and Lloyd use to leave the esteemed Aspen Snow Owl Benefit is actually parked outside the Devereaux Mansion. (Too bad they didn’t use the Mutt Cutts van)  The mansion has all kinds of fun history and it’s a favorite for local SLC ghost hunters.

The Second Best Motel in Heber City:
You may recall Harry and Lloyd sharing a bath along their journey at the Second Best Motel.  The exterior of the hotel was redecorated slightly but the building is the modern day Heber Inn in Heber City, Utah.  City Weekly caught up with the location scout Lee Steadman who mentioned the heart shaped tub itself was actually filmed at The Osmond studios in Orem, which is now the Cirque Lodge rehab clinic.

Meet the parents in the Deer Valley Resort Area / Park City, Utah:
Mary’s parents enjoy the finer things in life and their East Coast mansion is actually a cozy but large cabin in Deer Valley. Which one?  We are not totally sure.

Harry and Lloyd enjoy 7-Eleven:
This is a hotly contested 7-Eleven location where Lloyd very famously declared “big gulps huh?” Side note, apparently that line was ad libbed by Jim Carrey.  According to City Weekly,  this is a big gulp shop in Heber City though some residents firmly believe it was a 7-Eleven in Ogden.

“I’m talking about a little place called Aspen”
Portions of the famous scene where Lloyd and Harry ride into Aspen on a mighty vespa with ice crystals hanging from their noses were filmed in Park City.

We know there are more glimpses but those are just a few from the famous 1994 flick. If you’re really adventurous check out Ski Curbed for the route that begins on the East Coast before finally arriving in the Beehive state.

Contributing writer Elizabeth Latenser is a film fan, mountain momma, dog lover and tree hugger.

Sundance Film Festival: A Blizzard of Creativity

By Elizabeth Latenser

Just like that, the hustle and bustle of the 2017 Sundance Film Festival concludes.  We agree with Festival Director John Cooper when he said, “This has been one of the wildest, wackiest and most rewarding Festivals in recent memory. From a new government to the independently organized Women’s March on Main, to power outages, a cyberattack and snow at record levels, the work of our artists rose above it all and challenged and changed us these last 10 days. I am most proud that, through it all, we have formed a community that is bound tighter by the art we make and the ideas we support.”

The Utah Film Commission team is giving Sundance Institute, the Festival team, all the artists and all the volunteers a standing ovation for making this incredible event happen.  And now we also wish you all a good night’s rest for the first time in weeks!

Our team had a great Festival experience and by measuring the energy of the over 2,500 people that came through our space on Main Street; filmmakers, industry and festival-goers did too. We got a chance to connect with artists, share our story and hear their ideas.  Our panels included in-depth discussions with LMGI location managers from across the country, a deeply moving conversation with Latino Reel, documentary film director Peter Bratt, and Delores, the subject of his film, Delores. UVU organized two incredible panels for their students with filmmakers from Litte Hours, The Hero, Nobody Speak, Patti Cake$, Strong Island and Trophy around the future of storytelling, the importance of diversity in art and more.  If you want to see more check out our Sundance photo album.

Utah Valley University students pose for a photo with directors and producers of Sundance films after a panel at Utah Film Commission on Main

The four movies that were filmed in Utah premiered for audiences for the first time ever which is exciting but also sometimes scary for an artist.  Though we know Cooper would caution these filmmakers from taking a  critic’s review to heart, it is nice to catch someone saying something positive about your project. Here are a few of our favorite quotes from the trades about those Utah-connected films:

Brigsby Bear was purchased by Sony Pictures Classics during the Festival and made Variety’s top 13 list. Peter Debruge and Owen Gleiberman said:

“This sweet, super-creative comedy is pretty much exactly what you’d want from a bunch of ‘Saturday Night Live’ talents — not another one of those lame Lorne Michaels-produced features that stretches a popular sketch too far, but a zany comic premise that delivers steady laughs and social satire in a disarming new way.

Wind River was Taylor Sheridan’s directorial debut and the Salt Lake Tribune said:

With “Wind River,” screenwriter and now director Taylor Sheridan completes a trifecta of deeply layered, character-driven neo-Western crime dramas, and one that tops the other two, “Sicario” and “Hell or High Water.”

Deidra & Laney Rob a Train premieres on Netflix on March 17. Robert Abele of The Wrap said:

“…because Freeland and Farrell keep close tabs on how the good criminal fun starts to affect Deidra and Laney as turbulent adolescents in dire straits, the movie always feels socially conscious and smartly sympathetic, even when it’s effortlessly humorous.

The movie also does well thoughtfully addressing the complicated feelings stressed kids have for their struggling parents and, in a late confrontation scene, it finds a touching way to re-examine what sparked mom’s breakdown, a scene initially played as comedy. Also, the fact that the Tanner family is biracial adds a welcome tinge of modern reality, even with a dusty rural backdrop (Utah for Idaho) usually associated with ethnically homogeneous casts.”

Snatchers will be available online sometime this Spring on the new streaming service, Stage 13, a division of Warner Bros. Fred Topel from Bloody Disgusting said this about the horror comedy flick:

“There’s clearly more to Snatchers. The origin of the creature has not entirely been confirmed by the end, and there’s a big teaser. I already want to see more Snatchers and these first eight play well as a standalone movie.”
For a full recap of the Festival award winners take a look at the Sundance Film Festival live blog or watch the award ceremony live stream.

Contributing writer Elizabeth Latenser is a film fan, mountain momma, dog lover and tree hugger.

Come Check Us Out!

By Elizabeth Latenser

Photo: Utah Film Commission on Main/ Courtesy of the Utah Film Commission

And While You are Here, Ask Me Anything!

In a new twist, artists were asked to join Robert Redford on stage during the Sundance Film Festival’s opening day press conference to discuss the impact Sundance Institute’s labs have had on their career.  One of those artists was Sydney Freeland who is back in Utah with her film Deidra & Laney Rob a Train which was filmed in Heber City.  We had the pleasure of working with her and supporting the project though our film incentives program so naturally it was exciting to see her film get into Sundance.

Earlier this month, Freeland told the Deseret News about filming in Utah:
“We looked all over the country and even in Canada, but ultimately Utah was the one place that had all the elements we were looking for.”

We agree that Utah is a great place to film and we are focusing our efforts during the Festival to sharing our story. Today through January 26, we will be hosting a series of discussions on timely industry topics and resources we offer artists.  Everything is on the table for discussion: finances, locations, casting, digital creators, equipment and more. Plus it’s a chance to connect directly with the Film Commissioner Virginia Pearce.   For those who are in Park City, stop by our space at 625 Main Street to have “Coffee with the Commish” or start your own conversations with other artists or attendees in our venue.  For a full schedule of events, visit our activation page: http://film.utah.gov/2017sff/.

Utah Film Commission on Main will transport you to far corners of the state and conjure up nostalgic feelings for Utah’s rich cinematic history. The wall graphics were designed by Shaylee Read, Creative and Design Lead for the Utah Office of Tourism who researched museum displays for inspiration.  Playing off the Film Commission’s tagline “The Story is Utah” she created a meandering timeline of some of the most iconic movies filmed in the Beehive State from 1920’s Westerns to the films screening at the Sundance Film Festival today. The black ink helps the colorful film stills pop and the retro typography helps start the walk down memory lane.  

When asked how the design looked when built to scale Shaylee said, “I was excited to see the final design and surprised to see how large it is in real life.  The whole space is very striking but when people enter the room you can see their eyes immediately go to the wall.”  She also elaborated on why she loved this project, “Leading up to Sundance I was surprised to learn just how many films were made in Utah.  It makes me proud of where I live.  I love helping promote Utah through my work and overall love promoting unique experiences through tourism.”

For those of you who are not at Sundance but want to follow the action, check out the Utah Film Commission’s Facebook page, Instagram and Snapchat. Or if you are curious about how we might be able to help your next project, review our incentives page here: https://film.utah.gov/incentives-information/

Contributing writer Elizabeth Latenser is a film fan, mountain momma, dog lover and tree hugger.

Changing the World Through Film

By Elizabeth Latenser
Photo: A film still from 
Chasing Coral in Sundance Institute’s ‘New Climate’ Initiative. Photo courtesy of: XL Catlin Seaview Survey

This is part of an ongoing series featuring iconic projects filmed in Utah.  Projects and artists mentioned in the series filmed here for inspiration, a strong sense of place or to recreate otherworldly experiences.

This Thursday the Sundance Film Festival will kick off with 4 films from different categories as it has done for many years.  But what is new this year is that one film, An Inconvenient Sequel is part of a newly created initiative to highlight issues relating to climate change.  It marks the first time the Festival has focused their efforts to highlight a specific cause.

Utah has long been known for its pristine landscapes.  The tourism and film industries benefit greatly from its unique ecosystems: the fresh snow-capped mountain scapes to the rushing river waters to the Mars-like red rock formations of southern Utah. We’re proud that Sundance Institute has chosen to continue to encourage discussion and dialogue about how best to protect the wild places around us.  

When asked why they added this new climate focus, Trevor Groth, director of programming told the New York Times: “To change the world.”  And John Cooper, the director of the Sundance Film Festival added “or die trying.”

Founder and President of Sundance Institute, Robert Redford has long stated that the Festival is a platform for discussion and it’s important that they stay neutral on political issues.  Though this issue of environmental protection is a threat much too great to ignore.  He said:

“I believe that storytelling is the greatest platform for getting people to care and take action on some of the most pressing issues of our time. Amid escalating threats to our environment, independent perspectives are adding the depth and dimension needed for us to find common ground and real solutions.”

The New Climate initiative includes 14 documentaries, short films and virtual reality experiences across the Festival’s categories, and marks the first time that Festival programmers have focused efforts to highlight a specific cause.  To see the full lineup of New Climate films and projects here.

Many of these releases are greatly anticipated by nature lovers and film lovers alike.  If anyone needs a needs a boost to get through the next few days before the Festival starts, check out the 2016 Sundance Film Festival’s 10 Days of Different video to prepare for the innovation and artistry you can experience very soon.

To see our list of films shot in Utah and marvel at the sheer diversity of Utah landscapes featured: http://filmed-utah.com/.

Contributing writer Elizabeth Latenser is a film fan, mountain momma, dog lover and tree hugger.

Thelma & Louise

By Elizabeth Latenser

This is part of an ongoing series featuring iconic projects filmed in Utah.  Projects and artists mentioned in the series filmed here for inspiration, a strong sense of place or to recreate otherworldly experiences.

Somebody said get a life…so they did

The story of meek housewife Thelma (Geena Davis) and her independent friend Louise (Susan Sarandon) who embarked on a road trip that turned into a run from the law, took critics and audiences by storm in 1991.  Not only was the story line a little radical for the time, it had two female lead characters who were slightly older than what Hollywood typically featured and a bold ending that many didn’t see coming.  Check out the original trailer for a walk down memory lane.

Thelma and Louise is one of the most iconic films to be shot in Utah.  Along with early Westerns that courted the movie industry for a specific look at the West, this groundbreaking film solidified the Beehive state as a place to create a different type of film with the help of Utah’s scenic versatility and production power.  New York Times critic Janet Maslin wrote in 1991, “‘Thelma and Louise’ is greatly enhanced by a tough, galvanizing country-tinged score, and by Adrian Biddle’s glorious cinematography, which gives a physical dimension to the film’s underlying thought that life can be richer than one may have previously realized. At the story’s end, as Thelma and Louise make their way through Monument Valley and to the Grand Canyon, the film truly lives up to its scenery.”

The scenery and setting of the gorgeous Southwest is a constant presence once the friends hit the road.  Sarandon told Harper’s Bazaar about filming in Utah, “It was a beautiful, beautiful place to be working. I felt like John Wayne. And we didn’t shoot at the Grand Canyon—it was in Utah, in Moab. The joke for a while was that there was only going to be a voice-over of us because of these amazing shots they were getting all the time.”

The film’s poster features Monument Valley and key scenes were filmed in the La Sal Mountain, Arches National Park and Canyonlands.  The final scene which is supposed to take place in the Grand Canyon actually takes place at Dead Horse Point State Park in Utah.  People flock to Southern Utah to take a “Thelma and Louise selfie” and even organize their own version of the infamous road trip with friends.

Critic Roger Ebert reviewed the film, gave it 3 and a half stars and said, “When I saw the movie, about seven weeks ago, I reacted to it strongly. It had the kind of passion and energy I remembered from the rebel movies of the late ’60s and early ’70s.”  Audiences can agree that ‘almost’ getting 4 stars from one of the most well respected critics is high praise and the mark of a great story.

Thelma and Louise was and is a great story and one that was written at odd hours by a tenacious music video line producer. Callie Khouri was 30 at the time and had never written a screenplay.  She was working in Los Angeles and after being the victim of two violent robberies channeled some of her personal experience and personality into the story.  On a drive home one evening she had a stroke of clarity where the story of Thelma and Louise came to life.  

The film’s writer Khouri told Vanity Fair: “Out of nowhere I thought, Two women go on a crime spree. That one sentence! I felt the character arcs—I saw the whole movie, I saw, in a flash, where those women started and where they ended up. Through a series of accidents, they would go from being invisible to being too big for their world to contain, because they’d stopped cooperating with things that were absolutely preposterous, and just became themselves.”

Khouri wrote the screenplay in her off hours and typed it out on her office computer during the day.  All that hard work paid off.  According to the Atlantic: In 1992, screenwriter Callie Khouri became one of a handful of women to win an Academy Award for best original screenplay, and Thelma & Louise earned more than $45 million at the U.S. box office. Sarandon and Davis were each nominated in the Best Actress category, and director Ridley Scott was nominated for Best Director.

Thelma and Louise just celebrated its 25th anniversary in 2016 and Geena Davis and Susan Sarandon reflected on the impact and making of the film. The duo cover female representation in Hollywood, the surprise reactions to the film and some scoop on that infamous ending. For true fans this reunion will feel like having coffee with an old friend. And for people who just can’t believe the film ended the way it did, check out James Corden’s alternate endings to the film.

Contributing writer Elizabeth Latenser is a film fan, mountain momma, dog lover and tree hugger.

Young Stars and Bright Futures

By Elizabeth Latenser

Forbes just released its 30 under 30 Hollywood & Entertainment list and it’s worth noting that digital stars make up 13% of this year’s roster.  That fact highlights that social media platforms are a solid pathway to reach audiences and gain fame along the way.  Though the large majority of people on this list are actors it’s interesting to see digital stars rising in the ranks.

RJ Cyler at the Sundance Film Festival. Photo courtesy of the Sundance Institute.

RJ Cyler at the Sundance Film Festival. Photo courtesy of the Sundance Institute.

Take a look at the full 30 under 30 list here.  You will see a few familiar faces in the line up of people who have recently visited or worked in Utah:

  • Evan Rachel Wood who stars as Dolores Abernathy in HBO’s Westworld which has filmed in Utah. The sci-fi series was an instant hit, becoming HBO’s most-watched debut season ever.
  • Kiersey Clemons who burst on to the scene at the 2015 Sundance Film Festival in Dope.  
  • Emory Cohen starred in Brooklyn which went on to be nominated for an Oscar after premiering at the Sundance Film Festival in 2015. He acted alongside Saoirse Ronan who is an alum of the 30 under 30 list.
  • RJ Cyler starred in another Sundance favorite Me and Earl and the Dying Girl which went on to win the Grand Jury Prize.
  • Lucas Hedges who stars in Sundance hit Manchester by the Sea which is nominated for an Oscar.
  • Margot Robbie who starred in Z for Zachariah at the Sundance Film Festival where some critics argue what when she really became a true movie star.

Congrats to everyone who made the list.  We cannot wait to see what happens next in your bright careers!


Contributing writer Elizabeth Latenser is a film fan, mountain momma, dog lover and tree hugger.

New Year, New Look at Utah

By Elizabeth Latenser
Photo Courtesy: Salt Lake Tribune

Happy New Year! No matter what your stance is on making a new year’s resolution, we can all agree that a little adventure is good for the soul. For those of us lucky enough to live in Utah, we are a stone’s throw away from some of the most amazing places on the planet.

So take a look through the Salt Lake Tribune’s bucket list of great places to explore, check out our Utah Film Commission look book, browse the Utah Office of Tourism’s inspiration page or poll your friends to make your own list. Let’s resolve to explore 17 new places in 2017 or go back to a place you have already visited but in a new season.  As we know so many gorgeous places look and feel totally different depending on the temperature.

Cheers to a new year full of adventure!

Contributing writer Elizabeth Latenser is a film fan, mountain momma, dog lover and tree hugger.